Issue 10

Moon Jar, Century Unclear by Ed Roberson
An Irrelevant Writer: Shen Congwen by Yiyun Li

Issue 9

Merde Alors! Gary Amdahl on Dialogue
A Q&A with Emily Cook
Cairo 2010: After Kefaya by Brian T. Edwards

Issue 8

After the Wreck: Naomi J. Williams on Historical Fictions and Fictional Histories
Source Material:
Sara Majka Considers Booking a Room
Powers of Recuperation by Adrienne Rich
Trans-Neptunian Object by Suzanne Buffam
The Blackberries by Francis Ponge
The Mupandawana Dancing Champion by Petina Gappah
FictionLi Ling by Atsushi Nakajima

Issue 7

EssayVariations on the Right to Remain Silent: Anne Carson contemplates translation
FocusBarren by Saadat Hasan Manto
FictionDouble Happiness by Mary-Beth Hughes
PoetryIt Is Daylight by Arda Collins
EssaySail On, My Little Honey Bee by Amy Leach
FictionAre You Ready? by John Haskell
IYSSSSA Valentine to Darwin by Jillian Weise
IYSSSSLincoln in His Grave by Peter Orner
PoetryOutnumbered at 0 by Mary Jo Bang

Issue 6

FictionDebt by Sana Krasikov
FictionPolitics Is a Craft by Peter Orner
FictionPolitics Is a Craft: Part Two: Peter Orner on Harold Washington by Peter Orner
FictionThe Cold, Cold Water by Gary Amdahl
PoetryBridge Passed by Pierre Martory
PoetryCoyote by Tom Yuill
EssayFrom the Hills of Fauquier County by Peyton Marshall

Issue 5

FictionCattle Haul by Jesmyn Ward
IYSSSSOff the Page and onto the Sidewalk by Roland Kelts
PoetryI Don't Burn by Kevin Young
IYSSSSAt-Talifoon by Zoe Ferraris
Shark Means Knife by Ian Chillag
FictionThe Rat Ship by Ernst Weiss
EssaySecessionville by Samantha Hunt
EssayMorphology of the Hit by Leslie Jamison
FictionThe Old Man by James Lasdun
IYSSSSThe Revenge of the Angry Black Artist by Jervey Tervalon

Issue 4

EssayWho's Your Daddy? by Michael Thomas
IYSSSSLetter from Buenos Aires by Jillian Weise
PoetryThe Clearing by Greta Wrolstad
FocusAn Interview with Bill Manhire

Issue 3

FictionTestimony by Keith Lee Morris
IYSSSSGene Smith's Sink by Sam Stephenson
FictionThe Month Girls by Martha Cooley
PoetryThe Last DJ Spinoza by Eugene Ostashevsky
FictionQuiet Men by Leslie Jamison
FocusBattlegrounds Real and Fictional by Daniel Alarcón
FocusTo Burn the City by Julio Durán
FocusThe Complicity of Silence by Santiago Roncagliolo
IYSSSSEverything Is Illuminated: My Love Affair with CSI by Delia Falconer

Issue 2

IYSSSSSTOP. by Ander Monson
FictionCartagena by Nam Le
PoetryNotes on the Earth Seen from Space by Laurie Sheck
FocusThe Macedonian Officer by Andrey Platonov

Issue 1

The Dead Fish Museum by Charles D'Ambrosio
FictionOrigin Story by Kelly Link
FocusLook, Here's America Part 2: An Interview with Haruki Murakami by Roland Kelts
Poetry[ ] by Matthea Harvey
Sam Stephenson & the Jazz Loft Project

Sam Stephenson & the Jazz Loft Project

The Jazz Loft Project Radio Series debuts this week on WNYC: "In 1957, photographer W. Eugene Smith moved into a loft at 821 Sixth Avenue. It became a hangout for artists, writers and especially jazz musicians, who rehearsed and jammed there. By the time Smith left the loft more than a decade later he had documented the activity there through 40,000 photos and roughly 4,000 hours of audio tape."

The project—in addition to the radio series, there is a book and an exhibition—started thirteen years ago, when Sam Stephenson's wife bought him a camera for Christmas. The camera shop owner introduced him to Smith's work, and then Sam discovered Smith's archives at the Center for Creative Photography at the University of Arizona: "Two eighteen-wheel trucks delivered 44,000 pounds of his things there when he died in 1978, at fifty-nine, according to his doctors of “everything” (cirrhosis, diabetes, high blood pressure, an enlarged heart). There are hundreds of 10,000 word letters to friends as well as people he barely knew, 25,000 vinyl records, as many as a million negatives and contact sheets, thousands of 3x5 cards filled with chicken-scratch notes to himself, along with brilliant fragments from the unfinished Pittsburgh project and 1,600 reels of tape from his Manhattan loft—two bodies of work that have kept me busy for ten years. His work has become my work."

Read the rest of Sam's piece about Smith's archives, from APS 3.

Posted on November 17, 2009 | Comment | Permalink