The Clearing
by Greta Wrolstad
In a field of thousands
of wheat stalks, millions of wheat
stalks, countless wheat stalks, is the sound
of the field desiccating itself. Or the field of the sun
desiccating the field
of the soil. To the south, a house
with diamonds of glass, diamonds next
to diamonds, became a heap of ash, the diamond panes
bursting when the heat
pressed out from inside. There
were dark-particled plumes in the air:
shadow-birds, the flaws in our sky of diamond, rising
ink, dissipating,
disassembling--the charred
stalks of the charred house, where,
in a series of photographs, a child who was
loved, appeared,
her hair first blonde then
darkened, the progression crepuscular
through the passing of many years, as her eyes remained
the lightest of blues.
It is not the overturning field
that blackens her image, nor the burning
house. It is the turning sphere that turns night-ward. In
this field, only
the insects light the sky.
As embers, they travel ever-upward,
diminishing with greater height, blending into the open
air, the open
air, an opening made by an exodus.
Greta Wrolstad (1981-2005) passed away in the summer of 2005 from injuries suffered in a car accident. She held a teaching assistantship at the University of Montana and served as poetry co-editor of CutBank. A collection of her poetry is forthcoming from 1913 Press.
Read more in Issue 4
| Essay | Who's Your Daddy? by Michael Thomas |
| IYSSSS | Letter from Buenos Aires by Jillian Weise |
| Poetry | The Clearing by Greta Wrolstad |
| Focus | An Interview with Bill Manhire |










April Bernard
Laurie Sheck
Eliot Weinberger
Jim Linderman and Luc Sante
Austin Ratner
Dubravka Ugresic
Ben George, ed.
Rob Spillman, ed.
Santiago Roncagliolo
G. C. Waldrep
Arda Collins
John Wray
Yoko Ogawa
Fanny Howe
Anne Carson
Wells Tower
Yiyun Li
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