The Blackberries
by Francis Ponge
On the typographic bushes of the poem down a road leading neither out of things nor to the mind, certain fruits are composed of an agglomeration of spheres plumped with a drop of ink.
Black, rose, and khaki together on the bunch, they are more like the sight of a rogue family at its different ages than a strong temptation to picking.
In view of the disproportion of seeds to pulp, birds don't think much of them, so little remains once from beak to anus they’ve been traversed.
But the poet in the course of his professional promenade takes the seed to task: “So,” he tells himself, “the patient efforts of a fragile flower on a rebarbative tangle of brambles are by and large successful. Without much else to recommend them—ripe, indeed they are ripe—done, like my poem.”
Francis Ponge was born in Montpellier, France in 1899. He is the author of several collections of poems, including Le parti pris des choses (The Voice of Things) and was awarded the Neustadt International Prize for Literature in 1974.
Beverly Bie Brahic is the author of Against Gravity (Worple Press). An Unfinished Ode to Mud, her selection of Ponge’s prose poems, was published by CBEditions (London).
Read more in Issue 8
| Fiction | Li Ling by Atsushi Nakajima |
| After the Wreck: Naomi J. Williams on Historical Fictions and Fictional Histories | |
| Source Material: Sara Majka Considers Booking a Room |
|
| Powers of Recuperation by Adrienne Rich | |
| Trans-Neptunian Object by Suzanne Buffam | |
| The Blackberries by Francis Ponge | |
| The Mupandawana Dancing Champion by Petina Gappah |











Matthea Harvey
Petina Gappah
Mieko Kanai
Sam Stephenson
Benjamin Anastas
William T. Vollmann
Roberto Bolaño
Rebecca Wolff
James Lasdun
Tomaz Salamun
April Bernard
Laurie Sheck
Eliot Weinberger
Jim Linderman and Luc Sante
Austin Ratner
Dubravka Ugresic
Ben George, ed.
Rob Spillman, ed.
Santiago Roncagliolo
G. C. Waldrep
Arda Collins
John Wray
Yoko Ogawa
Fanny Howe
Anne Carson
Wells Tower
Yiyun Li
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